“Creativity solves problems.”
When I first heard this statement in class, I thought it was too clinical in describing what it means
to be creative. Why would creativity be used in a strategic sense? Isn’t creativity just related to things
that are fun and catchy? Well, I thought wrong.
My appreciation for the advertising industry after experiencing London has changed drastically in
two ways. First, I never realized how much strategic thinking goes into creative advertising. Of course, I
acknowledge that creative planning must have a goal, but I didn’t realize the extent to which research
plays a key role—even for months at a time. That emphasis reminds me of the communications field,
where company backgrounders and knowing everything about a company is vital.
Second, I never really considered advertising as anything beyond TV commercials, print ads, and
online ads. When I heard about the frequent use of promotional events, “randomly” staged happenings in
public, and viral ads on Internet sites such as Hulu and YouTube, I felt like the boundaries of creativity
had been lifted. How much easier does that make it for creatives? The options seem endless.
Although American advertising also utilizes promotional events, “random” public demonstrations,
and viral ads, I get the sense that English agencies really care about what customers’ motives are in
buying a product, service, or supporting a cause. In comparing British advertising to American
advertising, I would say that agencies here in London tend to think more outside of the box in regard to
catchy images and taglines. They breach boundaries of decency, but all for a good laugh or to make an
impression. “So what if it offends you? You don’t forget the message of the ad.” This is the British
mentality.
In contrast, American advertising seems very safe and too concerned with legal prosecution for
offending consumers. Because of legality issues with Advertising authorities, agencies dwell in the
comfort of safe and non‐controversial ideas. Although I am glad American advertising does not breach
decency too often, I do not see it as fun to interact with.
Because I have never studied advertising, I did not know anything about the advertising industry
(whether American or British) before coming to London. To be honest, I am glad that I learned about it
first in Britain as opposed to in the U.S. Here, I was exposed to the inner workings of the field head on.
There was no fancy corporate office, no beating around the bush, no fluff. I was completely exposed to
the thought process and personality of each group of creatives. I got to speak to current advertising
creatives, tour agencies, and hear firsthand advice from each of them as well as my advertising professor!
Furthermore, the advertisements that are on display here are much more controversial.
Specifically, tube stops and museum exhibits like the Tate Modern’s Exposed exhibition have graphic
images on display that are offensive at first, but actually remain in your thoughts after passing. That, to
me, is both disturbing and impressive.
Now, I can return to the U.S. with a full awareness of what advertising can be, and see the scaleddown
version. I am so glad that I chose to enroll in this class. I was hesitant at first, but am thankful for
my gut instinct. Learning about creativity in the United Kingdom was a blast because of the ingenious
and witty nature of such a culture. I can now see that creativity is not what you expect. Just like it
surprised me by solving problems, it can also hold many other surprises down the road. It doesn’t even
have to be confined to the advertising industry. It can be applied to any field. That, to me, is most
encouraging.
